Music of the week: “Black Dahlia” Hollywood Undead- Swan Songs

In my defense today- I ain’t right. Seriously.

The death of villains is a necessary evil in fiction. This is old news for regulars of the blog, but I’m the resident character killer. I don’t reserve killing just for the villains. When I feel like I need a change, I axe a character. Anyway that I can find and a few inventive ways depends how I’m feeling at the moment and where my characters are in their growth arc. My general policy is while I’m writing, “whatever works”. 

My thought process behind killing characters is simple. If the story is stalling, you need sex or a murder. You can’t always manage sex (well, okay, I can always manage some sex but if you have sex every 5 pages, my paranormal suspense is going to have a lot of purple prose in it after the first 10 sex scenes and I can only think of a few different ways to describe splinters in your back from the door), but you can always manage a murder or two without killing the story as a whole. There is a little perverted part of my brain that extracts a little joy each time a character dies knowing that it’s going to going into the trickle effect of emotional drama. I can’t figure out why.

Not that I put a lot of thought into why. Because I’m sure if I did, I would find something extremely wrong with that. Fictional or not. See the beginning of the blog- I ain’t right. It’s why I’m a writer.

Even before Hellion gifted me with the most wonderful of books, “Cause of Death- A writer’s guide to death, murder and forensic medicine.” (by Keith D. Wilson, M.D.), I was thinking up ways a character could die. I have quite a few favorites in my repertoire. Once I killed an informant by throwing him into a shark tank. I rather enjoyed that one. Drowning. Suffocating. Bleeding out slowly. Mallet to the temple. Pit bulls. Car explosions.  But really in the comments the other day, I got to thinking about all the weird things you could do with killing off a character. All the accidental, quirky, random deaths that happen in the fictional world. I think my favorite part about the fictional world is that I may not know every gruesome detail that goes into writing a death, but I can use my imagination enough to get close. So close that if I put enough detail into it, you can look past my little indiscretions.

So, death by chocolate frosting? A total possibility if you get a little kinky in the sack and someone accidentally chokes (or maybe not so accidentally). Crushed glass pieces in his mashed potatoes? Could happen. I mean, those damned neighbor kids are always bouncing their basketball into your kitchen window and breaking it- you can’t help that some of it landed in your bowl as you were mashing them. Loose board on the top step leading into the basement? I swear, I’ve been bitching at him for two months to fix it.

It’s so unfortunate that vehicles have gotten so technically smart. Siphoning out the brake fluid would’ve been a wonderful option as well. Can’t cut the brake line either. Or loosen the lug nuts. It’s a shame. Really. Taking a gun and killing a villain is so uninspired. Watching his car drive off a cliff could make my character’s night.

Let’s think about it.

Well, you don’t have to think about it. I’ll think about it for you.

Say your character needs a method to get rid of someone, maybe of the opposite sex. If you want it to look accidental, well you gotta think of something very creative. I’ll use Kiki as my example of a villainous heroine. (She’s a professional problem solver. Not a professional killer. I assure you, there is a difference.)

Kiki is only an example. She’s the closest thing in my character list that I can use without pulling her too far from her characterization.

Kiki has a target that needs professional quieting but it needs to look like an accident. She can think about it. Make her plans, watch her mark, learn his routine. She can walk up to him at happy hour at his usual spot, short black dress barely covering her ass as she leans over the bar and asks for a vodka on the rocks. She can look at him playfully over her shoulder and flash him her devastatingly fake smile like she’s really interested and turn him onto her. He could be charmed easily by her easy demeanor, the way she playfully chews her bottom lip and fiddles with his silk tie. She could score a night with him by just whispering in his ear. Once they got back to his house, she could make it look like he had a drug overdose. Wouldn’t be hard. He has a possession charge from three years prior that was swept under the rug since daddy is in politics. She watched him acquire two eight balls and a sack of pills at lunch. Kiki would be willing to do some lines in order to get the job done.

But that would be too easy for my Kiki. She’s sneaky like a ninja. All business. No fun.  She doesn’t really like to get dressed up and wear a wig out into public. She complains that wigs are itchy and cramp her style. Sadie is more mischievous. In a few years, she would be ripe for this sort of job. Even enjoy it.

Kiki would wait in her car outside the bar, follow him to his house, wait until he goes to sleep and break into his house. Easy to do when you can disable an alarm with a gadget. Easy to do when you can pick a lock like you’re magic. Easy to do when there is no guard animal to sound a wake up call. Easy to do when your target has no neighbors close by and a house shaded almost completely in trees. I can almost hear Kiki tsking.

In fact, Kiki thinks to herself, “It’s truly a pity he hasn’t taken the time to make sure the batteries in his carbon monoxide detectors are good. Even more a pity when this scum sucker doesn’t wake up in the morning.” And once the plan is set, get out and go about business as usual.

Clean. Efficient. Quiet.

Kiki will be sitting at her breakfast bar with a cup of coffee and reading the paper while the guy’s alarm is blaring. By the time his office calls, she’s already in the shower getting ready for her routine day. When his secretary drops by and finds him non-responsive, Kiki’s driving across town to her office building. Just a few minutes inside the house has the secretary feeling nauseous. She calls 911 but it was too late before she even walked through the door. The ambulance speeds past Kiki’s car on it’s way to the emergency. And Kiki graciously pulls over to let them past and continues on her way like nothing happened.

You might think this is difficult to think up but think about this from a writer’s standpoint. Is there anything your hero or heroine might be allergic to? Did you know that certain wines to people with severe sulfate allergies can kill in just a few minutes without interference of an EpiPen? (Truly one of my biggest fears. And that is notfor future reference, MM. I’ve got my eyes on you, you sneaky pirate.) Fears? You know, if your heroine is claustrophobic and gets trapped in an elevator with no one there to buffer her panic, she could send herself into a monstrous panic attack and have cardiac arrest. Someone who is afraid of the water and can’t swim could accidentally be flipped into the water while you’re speeding around on the boat.  Accidental deaths are waiting just around the corner everywhere for your expendable characters. You just have to tap into them in the fictional world.

I know most of you are in the business of writing (or reading!) the HEA or HFN (I prefer HFN) but what is the most unusual murder scene you’ve read? Saw on one of those crime shows? Imagined up to write in your WIP? And pretty pretty please can someone gift me the wonderful “Armed and Dangerous” book for my birthday? Or Christmas? I’ve been a good girl all year. I swear- cross my heart.

No takers? C’mon, it’s not like I’m going to practice on you.

Dang, I guess I could hit up Santa for the book. It’s never too early for a Christmas list…